Austin-tatious

Austin Scarlett -- yes, that’s his real name -- may not have won the big prize on Project Runway, Bravo’s slick and addictive fashion design reality show, but he won the affection of scores of armchair fashionistas. By being his fabulously hair-flipping self -- and kicking ass in most of the show’s cleverly-conceived design challenges -- the Oregon-born Fashion Institute of Technology graduate became an inspiration to sissy boys and glamour-pusses everywhere. “I would love to set an example to any dreamer -- maybe not the most popular kid in school, but anyone who’s different -- who has a dream to always stick to that dream,” he said in his final on-air interview. “No matter how many people tell you to walk a certain way, act a certain way, dress a certain way, design a certain way, you can’t listen to them. You have to be true to yourself. No matter what.”

Sew there.

I loved your final farewell speech. Is it important to you to be a role model?
I think so, even though that’s not really what I ever set out to do. I think it’s important in life to conduct yourself in a way you can be proud of. Growing up, I never really had that many role models to look up to. It was hard, and I think I did long for someone I could identify with. If one person saw me on the show and was inspired to shoot for their dreams, that would totally make the whole show for me.

How did you get involved with Project Runway originally?
A friend of mine heard about it and told me. I thought it would be the perfect opportunity, so I just put together a little portfolio and showed my stuff, and they picked me!

And now America loves you. Do you get recognized now by strangers?
Yeah. I get spotted most at fashion shows. People that actually work for other designers and work for fashion magazines that you wouldn’t think would take the show seriously, well, they do. They’re really into it.

Is it easier to get into the big fashion shows now?
Definitely. They give you special treatment. It’s nice, because I did not have that before. Before, I would do my best to get into a few shows, but now it’s so much easier.

What was the high point of the show for you?
I liked my Banana Republic dress and the bathing suit. I was happy that I won that challenge. And when I won the very first challenge with the corn husk dress. That was great because we were all so nervous at that point, so to have recognition early on gave me a lot of confidence that carried me through the rest of the show.

What happened to the corn husk dress? Is it decomposing in a landfill somewhere?
The show put all the winning designs on display for a while at Rockefeller Center and then auctioned a lot of them off and someone bought the corn dress. I’m sure it’s even more shriveled than it was. Maybe the buyer can just hang it on the wall or something.

Did you get to keep any of your designs?
The designs are all the property of Bravo, so I didn’t get to keep anything at all. They whisked it all away during the filming.

What moments got edited out that you wish the show had left in?
Vanessa, the British girl, and I really clicked and became like best friends right away, and they never really showed that at all. When she was eliminated and I was crying onstage, it really doesn’t make sense because you never knew how close Vanessa and I had become. And I wish they would have shown more of the actual making of the outfits; the problems, the details that went really into these outfits.

How closed off from the rest of the world were you on the show?
The taping was about a month, and we were under complete lock and key the whole time. We could not even go to the corner to get a soda. They would never, ever let you know what you would be doing for the next 10 minutes, so we were anxious the entire time. When it was all over, I had very weird sort of post-trauma dreams, like where I’m in the center of this huge arena and all these people are asking interview questions and judging me.

Speaking of judgment, which of your outfits do you think was the most underappreciated?
The future one. It was supposed to be worn over a fabulous pair of boots and the heel broke a second before the show and that kind of ruined the whole look. The judges were a lot nicer than the way they edited on television. It comes out like they criticized my things so much, but I remember the judges liking my stuff a lot more.

Of all the contestants, I thought you were the one with the most consistent singular vision. There was definitely an “Austin aesthetic.”
That was sort of the main criticism they gave me on the show, that I didn’t stray enough from my particular look. I don’t see that there’s anything wrong with that. Obviously, my clothes aren’t for every single woman in the world, but I’m sure there are many people who would like to wear my things.

If you could dress any woman in the world, who would you pick?
Cate Blanchett always wears the most fabulous things, and she’s beautiful.

After losing the challenge of designing a Grammy outfit for Access Hollywood’s Nancy O’Dell, she asked you to do her Oscar dress. Are you doing it?
I didn’t have a chance to. It was my fault. I should have pursued that, but I’ve been involved with the show since August, so I never had an opportunity to. I would certainly love to work with her.

What’s it like for you to watch the show put together? Do you feel like they were fair to everyone?
I think for the most part they keep our characters pretty much true. They exaggerate a few things here and there to make it flow, but it’s more or less truthful, and so I really can’t complain. Even if they show some things that are maybe not the most flattering, it happened.

What do your family and friends think of the show?
My two younger sisters are completely thrilled. My mother, I don’t think she realized how big the show would become, but she’s very proud of me.

Were there moments during your childhood where it was obvious that you’d grow up to be a designer?