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Motel, Virginia, 2015
Lissa Rivera’s emotional and elegant project should be explained in her own words:
"'Beautiful Boy' is an ongoing project that began as a confession between two friends. On the subway one evening, my friend shared that he had worn women’s clothing almost exclusively in college, but after graduation struggled to navigate a world that seemed both newly accepting and yet inherently reviling of male displays of femininity. I thought that photography could provide a space for him to experiment with his identity outside of isolation.
"Taking the first pictures was an emotional experience. I connected with my friend’s vulnerability. I wanted to make sure that the images were not a compromise for either of us, and we engaged in many discussions. Both of us have long, fraught relationships with femininity that have fundamentally shaped who we are. Our desires were matched. They had the desire to see themselves and I felt driven to capture their exploration. A part of my own identity that had defied expression also began to emerge. As time went on, we realized that we had unexpectedly fallen in love. He became my romantic partner and collaborator.
"I wanted to make images without shame, to show his femininity as strength. I wanted to feel empowered as well, to have an intimate muse. When taking the photos I felt the same as when viewing a film where a director and actress share a deep connection to the fantasy captured. Although our emotional relationship is private and real, we perform a romanticism that is obsessive and decadent. We connect to images, films and records of women that we idolize and consume together.
"Collaging the visual language of the past, I tap into deep-seated narratives about gender, desire, freedom, and cultural taboo. The fantasy of dressing up transforms the act of being photographed into one that fuses identity creation with image creation. The camera transposes our private experiences into public expression."
See more of Lissa’s broad spectrum of work here. Lissa is represented by ClampArt in New York.
UPCOMING EXHIBITS:
The Photo Review 2016
November 4–December 7, Gallery 1401, Philadelphia University of the Arts, 211 S. Broad St., Philadelphia, PA 19102
Non-Binary
Centre Never Apart, Reception October 6th, 6-10 p.m., October 5–January 14, 7049 St. Urbain, Montreal, Canada
Tell Me a Story
in conjunction with Atlanta Celebrates Photography, Reception Saturday, October 8th, 7-10pm, October 5 − 18th, 2016, 1272 Murphy Avenue SW, Atlanta, GA 31136
Sensitive Surface
Through October 8, Fotogalleri Vasli Souza, Gustav Adolfs Torg 10B, Malmö, Sweden
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Christopher Harrity
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.