Staking a claim for queer identity through an exhibit of camp ceramics.
July 21 2014 4:00 AM EST
November 17 2015 5:28 AM EST
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Camp Fires, at the Gardiner Museum in Toronto, reveals the concept of "camp" in the work of three important Francophone Canadian ceramic artists: Leopold L. Foulem, Paul Mathieu, and Richard Milette. Camp Fires is an often sensual encounter of these artists' powerful body of work, one that addresses subversive ideas about queer identity through clay.
Below, curator Robin Metcalf on the exhibit:
The exhibit is ongoing through September 1.
Gardiner Museum
111 Queen's Park
Toronto, Ontario
M5S 2C7
Canada
Leopold L. Foulem, So Many Men
Click through for more images from the exhibit >>>
Leopold L. Foulem, Priest in Black Cassock with Boy on Mount, 2012
Leopold L. Foulem, Pair of Male Couples
Leopold L. Foulem, Juicy Banana, 1976
Leopold L. Foulem, Urinoir, 1992
Leopold L. Foulem, Urn Funereal
Richard Milette, Cup on Fruits, 1998
Richard Milette, Teapot for a Queen X, 1989
Richard Milette, Guasparre, 2000
Leopold L. Foulem, Bicycle Seat Blue and Yellow, 1977
Paul Mathieu, Crucifixion Bowl, 1984
Paul Mathieu, Camouflage series (E.M.), 2005
Paul Mathieu, Camouflage series (G.L.), 2005
Paul Mathieu, Kiss Vase 1-6, 2013
Paul Mathieu, Kiss Vase 1-6, 2013
Paul Mathieu, Kiss Vase, 2013
Nested Eggs
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