You can't accuse
filmmaker Tomer Heymann of tackling a mundane subject in
this documentary, a multiple award winner at various
festivals.
Dealing with a
group of immigrant transvestite and transsexual Filipinos
who care for elderly Orthodox Jews in Tel Aviv, Paper
Dolls manages to wrest surprising amounts of
emotion and humor from its exotic characters and situations.
The Strand
Releasing film received its U.S. theatrical premiere at New
York's Film Forum. It opens Friday in San Francisco and
October 6 in Los Angeles.
The title refers
to the drag queens who perform at Tel Aviv nightclubs at
night while attending to their charges during the day.
Interweaving snippets from the performers' act with
scenes from their day-to-day duties and extensive
interviews, the film chronicles the strong emotional
bonds between the live-in aides and their elderly patients
despite the latter's occasional befuddlement as to the
nature of their caregivers' lifestyles.
Director Heymann
adeptly explores the various aspects of the situation,
including the abuse the Filipinos suffered in their native
homeland, the more enlightened but still occasionally
hostile reception they receive in their new home,
and the alternately exploitative and rewarding
aspects of their duties.
Although the film
occasionally become repetitive, one can't help but be
moved by the way in which these two groups of
people--who couldn't be more different in terms
of background and orientation--have found a common
emotional ground. (Reuters/Hollywood Reporter)