Back in the 1980s
and early '90s, gay people used to talk a lot about
"representation" in the media. Depictions of
gay people were considered "good"
(employed; adopting children) or "bad"
(murdering; slutty). The Gay and Lesbian Alliance
Against Defamation -- founded back in 1985 -- made a
regular fuss about "negative portrayals" of
gay people. Then America became a reality show utopia
and that whole good gay/bad gay structure blew up.
Yet still we turn
to these old ideas as a reflex. Jackie Warner, the Los
Angeles fitness impresario and star of Bravo's
Work Out, has gotten heat this season --
the show's third -- for firing a mouthy trainer
and for going along with a joke about a client's fake
breasts; the latter incident supposedly caused
Gatorade to drop its ads from the show. (It should be
noted the show is shot in Los Angeles, where mocking
implants is a part of daily life.)
Never mind that
Warner is an accomplished businessperson who mentors
overweight, self-esteem-challenged clients as part of the
show -- and one of the few lesbians on TV. Some gay
viewers were still appalled by her behavior; she was
branded a "negative icon" for the LGBT
audience, and a petition even circulated for the
show's cancellation. Clearly, someone forgot
that reality TV is only a simulacrum of reality!
"This
season has been bizarre," Warner tells me by phone in
mid May, on her way to O'Hare airport after
doing publicity in Chicago, including an appearance at
a gym where the line of autograph seekers was out the door.
"I gave more passion and energy to this [season] than
I have in the past, so it's really odd the
producer went down a negative route. Ninety-nine
percent of the work I did was left on the cutting-room
floor. It was a bad decision."
Not that
she's totally surprised. "The producers are
constantly trying to mess with me," she says.
"They betray you over and over. It's all about
the content of the show. They want the most dramatic and
crazy show at all expense to anybody else."
The producer who
went all negative on her? He'd better watch his back.
"Oh, his ass -- he's lucky I don't hunt
him down," Warner says. "I'm
beyond disappointed in his work, in every way."
We're a
long way from the early days of reality TV, when it was a
breakthrough just to have Norm Korpi on the debut season of
The Real World or Pedro Zamora, the
show's unassailable, adored, HIV-positive San
Francisco cast member, who died in 1994. Two years later, as
the industry matured, reality shows were turning
identity politics inside out for commerce.
"The
cameras would come on and we would talk in sound
bites," says Dan Renzi, who was the gay guy for
The Real World's Miami season in
1996. Since then he's appeared in MTV's
follow-up competition shows -- when they'll fly
him somewhere good, at least. "And then the
cameraman's arm would get tired and he'd
put the camera down, and we'd go back to
normal. We were performing our way through the show. Then,
when the cameras were off, we'd be like,
'Oh, let's go smoke a joint and relax.'
"
That's how
reality TV has spurred social change: As gays (and Asians
and the overweight and the drug-addicted and fill in
the blank) have let it all hang out over the years,
the public has come to embrace us (and them). The
latest and best example: This March, crazy-haired micro
queen Christian Siriano, who had just triumphed on the
fourth season of Project Runway, was booked to
work the red carpet for Access Hollywood at
Nickelodeon's Kids' Choice Awards.
"That's incredible," says Kate Aurthur,
television editor for the Los Angeles Times
(full disclosure: I sometimes write for her). "This
is a young gay man being solicited through a corporate
sibling of the show that made him famous" --
Access Hollywood and Bravo are both part of
NBC Universal -- "being asked to interview children.
That's actual, actual change." She adds,
"We're far away from The Children's
Hour at that moment. And what people -- what most
elected officials -- make us do is get closer to
The Children's Hour."
Even GLAAD, which
one could easily imagine lambasting Siriano if he were
a fictional character, gets it. "The volume of
unscripted programs out there," Damon Romine,
the group's entertainment media director, e-mailed
me, "creates more spaces for different members of our
community to be seen in the mainstream media, which
helps to challenge expectations and show that
there's tremendous diversity within the LGBT
community.... Just the sheer volume of images out
there helps to break down myths and stereotypes by
presenting more of us more inclusively."
And it's
actually true. The revolution is getting to see a hot tranny
mess on the air, not watching two lawyers pick out china.
"When you
look at the history of the genre, dating all the way back to
Real World," e-mailed Mike Darnell, the
president of alternative entertainment at Fox,
"this type of programming creates a fairly accurate
depiction of the cultural makeup of our society, and as a
result features characters of all races, religions,
and sexual orientations."
What's
more, those changes have leached into
"scripted" television, in part because
the folks making TV have changed. I once spoke with Marc
Cherry, the gay creator and show runner of Desperate
Housewives, about the current rash of gay people
on TV. "Whether you're a contestant on
Big Brother or a neighbor on Desperate
Housewives, it just feels right to the people who
create TV," he said. "That's one of
the things about openly gay men and women working in TV --
we don't think twice about putting these things
forward."
Ugly Betty creator Silvio Horta, also gay, told me
not long ago that "having a strong kind of
delicious villain like Wilhelmina is incredibly
appealing to gay men."
"I mean,
I'm not supposed to talk negatively about
Bravo," says Project Runway contestant
Jack Mackenroth as he walks down Chelsea's
Eighth Avenue, where he's basically the mayor. He
briefly dated another reality show star, Dale Levitski
from Bravo's Top Chef, which excited the
network -- and fans. "But I knew going into it that I
was going to exploit them and they were going to exploit
me," he says. "Project Runway is
a PR tool -- that's all it is. It's a reality
show!"
An exceptionally
gay reality show at that -- seven of the eight men in
its most recent season were gay. So, naturally, when the
Weinstein Co. leased Project Runway to Lifetime
this spring, the gays flipped out. Never mind that the
show would, contractually, most likely have left Bravo
anyway at the end of the next season. (Now that season, its
fifth, will be a fast one: Lifetime has said
it'd start season 6 in November.) But would the
gays have been any happier if the show had moved to another
NBC-owned possibility -- say, the USA Network, home of
Monk and, uh, some other stuff?
The hysteria
caused by the change of channels was probably because people
fear the show's casting won't be as
consistently delicious as it is -- they suspect
Lifetime will cast saps and nice ladies instead of crazy gay
guys. (After all, Project Runway is for gay men what
The Hills is for 15-year-old girls: people
who look like people we know.)
Not to worry: The
show will stay the same, says Susanne Daniels,
Lifetime's entertainment president (who describes
herself as the show's "number 1
fan!"). "At the end of the day, the viewers
are going to feel really good about coming back to the
show, and they'll appreciate it," she
promises. "The format's not going to change;
[neither is] the essence."
So we get more of
the same. Yay! But sometimes we don't want more of
the same, like the legions of reality stars who have
outstayed their welcome (Lord knows we're
brutally quick to abandon them). "That's the
worst thing," says Andy Dehnart, who's
run RealityBlurred.com since 2000. "An industry
of people who have nothing else to do with their lives
except subject us to them. They come out of the Big
Brother house convinced that they're famous
and will be an actor."
Look at Queer
Eye for the Straight Guy's Jai Rodriguez, who
went from that show to judging other reality shows --
and appearing on Fox's Celebrity Duets
-- to, now, hosting the Animal Planet show Groomer
Has It, a Bravo-style competition between dog
groomers. (No, I haven't seen it, and you
probably haven't either.) "It's worth
watching after three or four glasses of wine," says
Dehnart. "It looks like they spent about 45
cents on the thing. The most interesting thing about
Jai is this giant ear piece on him."
I once asked
Queer Eye's Carson Kressley about how it
made some people (I meant me) uncomfortable that he
acted so, well, queeny on TV. "Acted?"
he replied. Good point. Maybe he wasn't mugging for
the camera. And maybe I really was the only one who
was uncomfortable with it -- America loves a funny gay
guy.
"You can
be gay in reality, but if you're the queen, the cute
gay coming up with wisecracks, then people accept
you," Jackie Warner says to me as our interview
wraps up. "But sort of more butch dykes? It's
a harder role, for sure." Which is why Warner
grew her hair out for this season of Work Out
-- for all the good that did her.
There may not be
another season of Work Out -- at the end of this
iteration, the ratings will decide. (All this hubbub about
the show may be a publicity ploy to get another
season.) If there's not another season, Warner
says she'd still like to be on TV (natch), but
she'd "never do another show where the
focus is my life. It's too intrusive. Everyone
in my life changes and reacts in a strange way." The
whole experience has made her a "little
paranoid," she says.
But as with
Ugly Betty's Wilhelmina -- or Hillary
Clinton -- the gay boys will always love Warner,
despite her critics. "I have a lot of gay male
fans," she says. "The bitchier I get, the more
they like me."