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Brian Kaminski is a fashion and fine art photographer. A voyeur by heart, he often favors a photojournalistic approach to his work, allowing the creation of a story to evolve naturally through movement, form, and composition. Originally from Arizona, Kaminski found his way to Los Angeles as a model but eventually found his true passion lay behind the camera instead.
Why are you a photographer?
I am truly a voyeur and I love to watch people, so if I can get paid doing something I love, something I do anyways, why not!
What catches your eye?
Light, reflection of light, and the way people stand or are leaning. These are usually the things that I put into my subconscious to draw upon at later times.
How do you choose your subjects?
This is determined by what the client is looking for — the feeling of the clothes, location, etc. — as well as the uninhibition and openness and trust that the model has in my eye.
How do you describe your work?
Third-person photojournalistic. This is the most natural way to produce emotion in a shot. Time magazine meets Vogue.
What makes a good photograph to you?
The ability to convey emotion and beauty through angles, composition, and light/shadow.
Who are your favorite artists?
Terry Richardson. His lighting is constant, simple, and unobtrusive. He can focus his energy on bringing feeling out of the model and location. I also relate to Mario Testino and his style. I began to love him after seeing his "stories" brought to life by his published shots from Brazil.
Check out his website here, Instagram, and Tumblr. [This gallery is a repost from 2010]
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Christopher Harrity
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.